Quilted Baby Bag Damien and Yilpi Marks DYM931
Quilted Baby Bag 14x20 cm
This is a teaching painting, describing a dry season in Damien s homeland, Mount Liebig, in the Northern Territory. It illustrates aspects of landscape and culture that was told to Damien by his great-grandparents. Women sit with children collecting bush potatoes (the red shapes at the top of the painting) and are preparing for inma (ceremony). One man, wati, sits down with his waru (spear). Controlled burnings are taking place as the spinifex is dry, and this means good fruits can grow. The small star-like symbols represent women s body paint that the women paint on each other for inma. A dry creekbed runs through the painting (in red and white), and there are cracks in the claypans, dried rockholes (tjukula), and sandhills (tali).
Original: $28.55
-65%$28.55
$9.99Quilted Baby Bag Damien and Yilpi Marks DYM931
Quilted Baby Bag 14x20 cm
This is a teaching painting, describing a dry season in Damien s homeland, Mount Liebig, in the Northern Territory. It illustrates aspects of landscape and culture that was told to Damien by his great-grandparents. Women sit with children collecting bush potatoes (the red shapes at the top of the painting) and are preparing for inma (ceremony). One man, wati, sits down with his waru (spear). Controlled burnings are taking place as the spinifex is dry, and this means good fruits can grow. The small star-like symbols represent women s body paint that the women paint on each other for inma. A dry creekbed runs through the painting (in red and white), and there are cracks in the claypans, dried rockholes (tjukula), and sandhills (tali).
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Quilted Baby Bag 14x20 cm
This is a teaching painting, describing a dry season in Damien s homeland, Mount Liebig, in the Northern Territory. It illustrates aspects of landscape and culture that was told to Damien by his great-grandparents. Women sit with children collecting bush potatoes (the red shapes at the top of the painting) and are preparing for inma (ceremony). One man, wati, sits down with his waru (spear). Controlled burnings are taking place as the spinifex is dry, and this means good fruits can grow. The small star-like symbols represent women s body paint that the women paint on each other for inma. A dry creekbed runs through the painting (in red and white), and there are cracks in the claypans, dried rockholes (tjukula), and sandhills (tali).
